Ebook Truth in Comedy: The Manual for Improvisation, by Charna Halpern Kim Howard Johnson
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Truth in Comedy: The Manual for Improvisation, by Charna Halpern Kim Howard Johnson
Ebook Truth in Comedy: The Manual for Improvisation, by Charna Halpern Kim Howard Johnson
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Amazon.com Review
Who would have ever thought that learning the finer points of improvisation could be such fun? The "Harold," an innovative improvisational tool, helped Saturday Night Live's Mike Myers and Chris Farley, George Wendt (Norm on "Cheers") and many other actors on the road to TV and film stardom. Now it is described fully in this new book for the benefit of other would-be actors and comics. The "Harold" is a form of competitive improv involving six or seven players. They take a theme suggestion from the audience and free-associate on the theme, creating a series of rapid-fire one-liners that build into totally unpredictable skits with hilarious results. The teams compete with scoring based on applause. The "Harold" is a fun way to "loosen up" and learn to think quickly, build continuity, develop characterizations and sharpen humor.
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From Booklist
The brain wave of three improv gurus, this book is a complete guide to improvisation for both novice and professional actors and comics. An outgrowth of the successful curriculum initiated by two of the authors at the ImprovOlympic, it describes improvisational tools and techniques, from the "Pattern Game" and "The Hot Spot" to the innovative and sophisticated "Harold." Far from an ordinary how-to handbook, this clearly composed authority on comedic improvisation stresses intuitive thinking, listening skills, continuity, characterization, and, most important, teamwork. Numerous testimonials from reputed actors strengthen the text's credibility, already secured by the expertise of its authorship. Sample scenes and games take hilarious twists while illustrating the inevitability of connections and the importance of justification among team members. The authors' primary focus is the achievement of the group mind, and the book's chapter construction necessarily culminates with that creative misnomer known as the Harold. The manual is flexibly designed to allow for easy performance in both acting classes and professional settings and will prove a valuable reference source to actors and directors alike. Kathleen Chrysler
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Product details
Paperback: 160 pages
Publisher: Meriwether Pub; 1 edition (April 1, 1994)
Language: English
ISBN-10: 9781566080033
ISBN-13: 978-1566080033
ASIN: 1566080037
Product Dimensions:
5.8 x 0.5 x 8.5 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
132 customer reviews
Amazon Best Sellers Rank:
#23,643 in Books (See Top 100 in Books)
This is the gold standard for learning about Improv comedy. For additional appeal, there are stories are from the legends in modern comedy. Surprisingly, 'Truth' is easy to read, and organized. The first half is dedicated to scenes and basics of short form, the second half builds to performing a Harold. Harold is the 'format' for long form Improv which is the grand contribution of the authors to comedy. All of the Improv instruction that I have read, refer to this book and/or Del Close.
I've taken two improv classes and I really enjoyed it! The problem is that sometimes you might not understand what an instructor is trying to get across to you because you are so nervous. The class environment is high- energy and if you have anxiety in this kind of a situation, like I do sometimes, then this book is a must when you are away from the class. I have the UCB comedy workbook, which I highly recommend. I would recommend getting this manual, if you buy nothing else. 'Truth in Comedy' simply,and clearly, heads you in the right direction right away; at least it did for me. Actually you are probably better off in buying whatever combination of improv guides which you choose. If you are planning on taking an improv class; get this book and read it first or in conjunction with the class. The more of the book that you get through while you are in the early stages of the class, the better. I had an "idea" of what improv was before I took the class, and I ended up being wrong about what I thought. This will act as a kind of compass for you; so that if you have an instructor who is not so good, or she or he is simply working against the time constraints of the class, you can get the most out of it. Believe me, I am a somewhat introverted person, and I thoroughly enjoy improv. I can't explain why I would like being up on a stage making an ass out of myself in a fun way, more than I would having attention paid to me in any other situation. Give improv a shot, it is exhilarating and rewarding!
Although there are a lot of great points in here for anyone doing improv, it fell a bit short for me in expectation. Now I have run improv extensively in my life for the last 24 years and this book, it does have good value. There is a lot of commentary of who the movers and shakers were back in the day and why the Herald is so great. These things are all good but I was looking for something sharing the spotlight with many different insights to the improv world. After all there are many great things out there to explore! This is a decent book to have in a collection but by no means should be the only one in the collection!
This book was a quick, entertaining and interesting read. Lots of interesting vignettes, perhaps too many name-dropping anecdotes. It is well written section by section, but not well organized, the flow of argument is not so clear. Perhaps it it deliberately written in the style of a Harold?I did not read it to learn how to do improv comedy, I read it for insights into group improvisation that might transfer to playing music. In this it was somewhat disappointing. Compare to say, Zen and the Art of Archery, which is a book about archery the lessons of which transfer to other activities.Improv games contained therein may be good fodder for amusement on long car journeys - better than "I spy".
Truth in Comedy starts off with a rather immodest amount of name dropping and self congratulating, but after those first few chapters, things take off.The book is intended to be a rough guide to teaching and performing "Harold," the signature improvisation form of the Improv Olympic theater in Chicago. While the text focuses heavily on the structure of the form, it also holds page after page of advice and tools for any improviser or actor. The lessons in agreement, trust (in yourself and others), and teamwork can be used in any improv form (shortform or longform). And it definitely can teach us actors a thing or two about performing a scripted show.One of my few complaints about the book is it lacks concreteness. The author alludes to the phenomenon of group mind, the beauty of connections, and the wonder of "finding Harold." Despite giving examples, the reader is left with a "you had to be there" feeling, which, unfortunately, I don't think there's a way around. Harold is very much a "you had to be there" experience for both audience and performer. It's difficult to capture in words and in print the joy of seeing a spontaneous occurrence that takes both the performer and audience by complete surprise. I've found myself frequently recounting shows I've seen to uninterested or confused expressions, while the night before I was doubled over in laughter.So, to sum it all up, if you're interested in learning Harold (especially if you're a student at the Improv Olympic) or picking up some very useful improv tools, give this book a gander. And if you have an old copy lying around, take another look. It's rare that I open this without finding something to inspire me or pull me out of an improv rut.
I've just begun Improv Classes here in NYC with Armando Diaz. He recomended this as a sorta read along textbook for our class. It does drop a lot of names in a very proud fashion, which is annoying, but it has all the games you'll need to begin. It contains a very solid wholistic concept to "The Harold". . .Improv's leading long-form style. So, if you are an actor, improver, beginner or just wanna get a group together in class or office to play games. Pickup this book and learn the basics. Then get in class and have a pro temper you towards the next level. . .but I recommend IMPROVISE by Mick Napier, as a much better solid book.
Great short guide for improv. Read it before you take a class. Then read it again after.... It's a smaller book.
I found a slight tinge of name-dropping throughout the book, "You should try these techniques used by successful people!" However, the book had good information on techniques really used in improv schools, and more than a few philosophical twists, as the techniques are put to the test. A good read for the student or writer of theatrical comedy.
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